Table Topic: How to Create Great Art and Save the World at the Same Time
Congratulations to SHSU for raising $57,000 with your annual event,
Let’s Talk. Presenting as a “Conversation Leader,” I was pleased to be involved with this worthy program. Having my former professor and friend, Walter Foster and Jeri Lyn Foster, who were most influential in my educational upbringing, was a great surprise. Renewing my relationship with the university through
Mike Bankhead, has also been a pleasure and an honor. Thank you
Rhonda Ellisor, and
Nancy Gaertner for a beautifully run event! Written below is a quick follow-up of the discussion held at our table.
Okay, so maybe I didn’t quite get to the “saving the world†part of my table topic. Saving the world is actually an ongoing negotiation I am having with record companies, distributors, social-media sites, networks of friends, lawyers, publishers, allies, supporters and with myself as well – all the while trying to compose and record some worthwhile music, identify talented deserving performers and musicians and earning a pot-load of money to fund it all.
The opportunities open to recording artists have been profoundly transformed since I began my professional career in 1976. The idea that a musician could record an album in their living room with a laptop and two decent microphones and then acquire worldwide digital distribution for a few hundred dollars would have been thought to be crazy talk even ten years ago. Nonetheless, now we have that ability. For the first time, I myself have pushed three of my personal album productions to iTunes in the USA, Australia, New Zealand, Canada, Japan, United Kingdom, and the European Union. The albums are also available for download on Amazon MP3, Rhapsody, Napster, eMusic, and LaLa. Apple’s iTunes store alone has now sold over six billion songs since it began on January 9, 2001. About 200 of those sales are credited to me personally (not counting my work for Disney), so you can see that there is another hurdle to jump through in learning how to find and direct customers to buy our music.
It’s an exciting time to be a musician and artist, for not since 1776 have talent and integrity had such an opportunity as this. – Gary Powell
A producer’s or professor’s development of an aspiring musician who can compose and produce a marketable album has never been enough for success. Like politics, it has taken the power of movies, television, nepotism, secret deals and every other sordid ideal to make it to the top of the charts. It’s just that now, we as musicians no longer have to wait for what we thought of as our big break. Now, utilizing many of the emerging distribution and marketing technologies, we can finally take control of our careers while implementing our production and marketing strategies incrementally. Refer back to the 200 units sold digitally by me online. Before I posted those three albums for sale, there were another 127 albums composed and produced by me for different clients and record labels. Those albums have sold some 45 million albums in 47 countries. These kinds of numbers do not happen because the proverbial cream has risen to the top. There is much more to this music business than just writing and recording. Unfortunately, entrepreneurship is is not taught to most aspiring musicians, so until we rise to the challenge of learning how the business of music works, we will continue to miss the opportunities offered us through new marketing and distribution technologies.
Obviously, the major record labels are not thrilled about the democratization of the music business, but, they should be. These opportunities are renewing the public’s interest in discovering and maybe buying music again. Regardless, here we are – millions of musicians, singers and composers for whom the record companies are becoming irrelevant. That is not entirely true just yet, but broadening our educational arts curricula to include basic entrepreneurship courses will give talented individuals tools and hope for building a sustainable business – a business they can solely own and from which they can prosper directly. It’s true that we all can have a chance to swing the bat for a home run, as long as we can build and own our own stadium. Thus, this effort will require some very serious skills beyond learning counterpoint and spelling major-minor seventh chords.
It’s an exciting time to be a musician and artist, for not since 1776 have talent and integrity had such an opportunity as this. I just made that up, so please don’t make me defend this bold statement. But, hope really needs no defense, as long as it is accompanied by education and discipline.
For further information, please check out the links below.
We mentioned briefly the idea and principles of viral marketing and how to use it.
Playing for Change is a very cool idea of using one song and recording it all over the world.
Trevor Romain is a personal friend of mine with his own kids show on PBS. He supports an orphanage in Africa.
Craig Hella Johnson and I taught at the University of Texas School of Music together for a brief time and have remained friends. This professional choir is his full-time position now and they presented a two hour special on PBS this month called Company of Voices. It’s beautifully produced and lovely to hear and watch.
I have produced and arranged nine albums for Joe Scruggs since 1982. He is responsible for introducing me to family music. He and partner Pete Markham created a full-time career performing for children by owning their own production company and record company.
CDBaby is a website for individuals who wish to sell physical product online. They provide digital distribution as well and all fulfillment in collecting and distributing money and mailing product to customers for $4 per unit. The artist sells the CD for whatever price they want.
Tunecore is an aggregator site for musicians to upload their music directly to iTunes. This is my current favorite site for this revolutionaly kind of service.
John Smither, you brought up an important discussion on open source software. It’s a rather huge topic as you know. I use WordPress, an open-source platform for my own website. Michael Tiemann was an early innovator in this movement. He found me online and came to Austin to spend two days talking about how to change the paradigm of artists having to pay for recording time in professional studios. He is building his studio, Miraverse, now in Chapel Hill, NC which will at least offer a different business model which musicians should find favorable to say the least. “Revolution OS†is a movie which features Michael for his vision and being an innovator concerning open-source software.
Ted Kryczko is my friend and client from Walt Disney Records. He was the “conversation leader†at another table at our event. We have produced over 1,000 tracks together since 1989.
This category on my own website, Music Business Insight has 25 articles I’ve written within it to help educate and inspire musicians. I hope you will pass the link along to anyone whom you think might find these words helpful. If there is anything else I can help you with or if you have a singer or musician you would like to refer to me, please do. Having worked in both Hollywood and the Goree Unit, I can tell you that my studio in Austin is unlike either one of these places.
(Pictured above are SHSU music students, Rachel Namkin (L) and Jessica Borski (R).)
Gary Powell’s Personal Music on iTunes
“Rhapsody of the Soulâ€
John Lee’s “Thunderstorm in Mentoneâ€
Jeff Hellmer’s “Christmas Jazzâ€
Gary Powell’s Music for Walt Disney Records as Available on iTunes
“A Bug’s Life Sing Alongâ€
“Party Beatsâ€
“Sleeping Beauty and Friendsâ€
“101 Dalmations and Friendsâ€
“Love-a-byesâ€
“Pirates of the Caribbean – Swashbucking Sea Songsâ€
“Cinderella and Friendsâ€
Helpful? Then Copy, Paste and Tweet It:
“Let’s Talk” Music and Entrepreneurship in the Arts with Gary Powell at Sam Houston State University. http://tinyurl.com/c4c8zf
All Content of Gary Powell’s Site is Licensed Under a
Creative Commons Attribution-NonCommercial-NoDerivs 2.5 License
.
Table Topic: How to Create Great Art and Save the World at the Same Time
Congratulations to SHSU for raising $57,000 with your annual event,
Let’s Talk. Presenting as a “Conversation Leader,” I was pleased to be involved with this worthy program. Having my former professor and friend, Walter Foster and Jeri Lyn Foster, who were most influential in my educational upbringing, was a great surprise. Renewing my relationship with the university through
Mike Bankhead, has also been a pleasure and an honor. Thank you
Rhonda Ellisor, and
Nancy Gaertner for a beautifully run event! Written below is a quick follow-up of the discussion held at our table.
Okay, so maybe I didn’t quite get to the “saving the world†part of my table topic. Saving the world is actually an ongoing negotiation I am having with record companies, distributors, social-media sites, networks of friends, lawyers, publishers, allies, supporters and with myself as well – all the while trying to compose and record some worthwhile music, identify talented deserving performers and musicians and earning a pot-load of money to fund it all.
The opportunities open to recording artists have been profoundly transformed since I began my professional career in 1976. The idea that a musician could record an album in their living room with a laptop and two decent microphones and then acquire worldwide digital distribution for a few hundred dollars would have been thought to be crazy talk even ten years ago. Nonetheless, now we have that ability. For the first time, I myself have pushed three of my personal album productions to iTunes in the USA, Australia, New Zealand, Canada, Japan, United Kingdom, and the European Union. The albums are also available for download on Amazon MP3, Rhapsody, Napster, eMusic, and LaLa. Apple’s iTunes store alone has now sold over six billion songs since it began on January 9, 2001. About 200 of those sales are credited to me personally (not counting my work for Disney), so you can see that there is another hurdle to jump through in learning how to find and direct customers to buy our music.
It’s an exciting time to be a musician and artist, for not since 1776 have talent and integrity had such an opportunity as this. – Gary Powell
A producer’s or professor’s development of an aspiring musician who can compose and produce a marketable album has never been enough for success. Like politics, it has taken the power of movies, television, nepotism, secret deals and every other sordid ideal to make it to the top of the charts. It’s just that now, we as musicians no longer have to wait for what we thought of as our big break. Now, utilizing many of the emerging distribution and marketing technologies, we can finally take control of our careers while implementing our production and marketing strategies incrementally. Refer back to the 200 units sold digitally by me online. Before I posted those three albums for sale, there were another 127 albums composed and produced by me for different clients and record labels. Those albums have sold some 45 million albums in 47 countries. These kinds of numbers do not happen because the proverbial cream has risen to the top. There is much more to this music business than just writing and recording. Unfortunately, entrepreneurship is is not taught to most aspiring musicians, so until we rise to the challenge of learning how the business of music works, we will continue to miss the opportunities offered us through new marketing and distribution technologies.
Obviously, the major record labels are not thrilled about the democratization of the music business, but, they should be. These opportunities are renewing the public’s interest in discovering and maybe buying music again. Regardless, here we are – millions of musicians, singers and composers for whom the record companies are becoming irrelevant. That is not entirely true just yet, but broadening our educational arts curricula to include basic entrepreneurship courses will give talented individuals tools and hope for building a sustainable business – a business they can solely own and from which they can prosper directly. It’s true that we all can have a chance to swing the bat for a home run, as long as we can build and own our own stadium. Thus, this effort will require some very serious skills beyond learning counterpoint and spelling major-minor seventh chords.
It’s an exciting time to be a musician and artist, for not since 1776 have talent and integrity had such an opportunity as this. I just made that up, so please don’t make me defend this bold statement. But, hope really needs no defense, as long as it is accompanied by education and discipline.
For further information, please check out the links below.
We mentioned briefly the idea and principles of viral marketing and how to use it.
Playing for Change is a very cool idea of using one song and recording it all over the world.
Trevor Romain is a personal friend of mine with his own kids show on PBS. He supports an orphanage in Africa.
Craig Hella Johnson and I taught at the University of Texas School of Music together for a brief time and have remained friends. This professional choir is his full-time position now and they presented a two hour special on PBS this month called Company of Voices. It’s beautifully produced and lovely to hear and watch.
I have produced and arranged nine albums for Joe Scruggs since 1982. He is responsible for introducing me to family music. He and partner Pete Markham created a full-time career performing for children by owning their own production company and record company.
CDBaby is a website for individuals who wish to sell physical product online. They provide digital distribution as well and all fulfillment in collecting and distributing money and mailing product to customers for $4 per unit. The artist sells the CD for whatever price they want.
Tunecore is an aggregator site for musicians to upload their music directly to iTunes. This is my current favorite site for this revolutionaly kind of service.
John Smither, you brought up an important discussion on open source software. It’s a rather huge topic as you know. I use WordPress, an open-source platform for my own website. Michael Tiemann was an early innovator in this movement. He found me online and came to Austin to spend two days talking about how to change the paradigm of artists having to pay for recording time in professional studios. He is building his studio, Miraverse, now in Chapel Hill, NC which will at least offer a different business model which musicians should find favorable to say the least. “Revolution OS†is a movie which features Michael for his vision and being an innovator concerning open-source software.
Ted Kryczko is my friend and client from Walt Disney Records. He was the “conversation leader†at another table at our event. We have produced over 1,000 tracks together since 1989.
This category on my own website, Music Business Insight has 25 articles I’ve written within it to help educate and inspire musicians. I hope you will pass the link along to anyone whom you think might find these words helpful. If there is anything else I can help you with or if you have a singer or musician you would like to refer to me, please do. Having worked in both Hollywood and the Goree Unit, I can tell you that my studio in Austin is unlike either one of these places.
(Pictured above are SHSU music students, Rachel Namkin (L) and Jessica Borski (R).)
Gary Powell’s Personal Music on iTunes
“Rhapsody of the Soulâ€
John Lee’s “Thunderstorm in Mentoneâ€
Jeff Hellmer’s “Christmas Jazzâ€
Gary Powell’s Music for Walt Disney Records as Available on iTunes
“A Bug’s Life Sing Alongâ€
“Party Beatsâ€
“Sleeping Beauty and Friendsâ€
“101 Dalmations and Friendsâ€
“Love-a-byesâ€
“Pirates of the Caribbean – Swashbucking Sea Songsâ€
“Cinderella and Friendsâ€
Helpful? Then Copy, Paste and Tweet It:
“Let’s Talk” Music and Entrepreneurship in the Arts with Gary Powell at Sam Houston State University. http://tinyurl.com/c4c8zf
All Content of Gary Powell’s Site is Licensed Under a
Creative Commons Attribution-NonCommercial-NoDerivs 2.5 License
.
“The really valuable thing in the pageant of human life seems to me not the political state, but the creative, sentient individual, the personality; it alone creates the noble and the sublime, while the herd as such remains dull in thought and dull in feeling.” – ALBERT EINSTEIN
… A new breed of developmental theory is likely to arise… Its central technical concern will be how to create in the young an appreciation of the fact that many worlds are possible, that meaning and reality are created and not discovered, that negotiation is the art of constructing new meaning by which individuals can regulate their relations with each other.” – JEROME BRUNER, from Actual Minds, Possible Worlds (The Jerusalem-Harvard Lectures)
“The nature of musical perception has not been discovered because the key to the secret of music is physiological—it lies in the nature of the process by which man perceives sounds—and the answer would require the joint effort of a physiologist, a psychologist and a philosopher.” – AYN RAND, A Manifesto
If you finally get the call for the job or the opportunity you’ve worked for, it might be a good time to realize that healthy business relationships are born of mutual understanding, mutually earned respect, mutual reliability and mutually earned loyalty. Notice the omission of the word trust. These new business relationships are never born from a bilateral adoration of you, the artist. If you really believe it is all about you, then prepare to stand in a very long cue while enjoying a very short career on the latest thrill ride called SEDUCTION. Next, order any one of these books written on the topic of 
