Gary Powell, Composer/Producer

by Gary Powell

Academics are accused in the creative arts of being too “left-brained”. On the street, this term defines people who are close-minded, uptight egg-heads who kill all our natural creative impulses. These creatively repressed individuals live within the confines of the confines of the confines of the out-of-touch and intellectually disconnected. Everyone who has been educated can certainly name professors who deserve this description. There is a disappointing consequence of this widely held viewpoint: When standing at the academic well, many young, creative people decide that no water is better than drinking bad water.

Our popular music industry icons are largely spawned from the “I’m too creative to be contained” school of thought. I use the terms “school” and “thought” here facetiously. They often recite the mantra of the intellectually afflicted follow your heart, then foolishly confuse their lack of artistic discipline with “magic”. If your “magic” is continuing to deliver the same old tricks, it might be time to reassess what you have not learned. (Of course, without education, a therapist or mentor, this is impossible).

All in all, as we intellectualize our passions, I really believe it makes our artistic expressions even more powerful and connected to the whole of being human. – Gary Powell

As a person in the creative arts, there are two concerts going on in our heads. One, our observing ego which wants to learn and understand ourselves, and the other, our very creative and extroverted performer who is well willing to just wing-it so as to bask in the glow of the applause meter as soon as possible. What can be confusing is that in this dual/duel concert, both our inner audience and inner performer switch roles freely and often even play at the same time. Learning which inner voice to listen to becomes the tool by which we sculpt ourselves in powerful ways. This is where the right-brain, left-brain integration begins and where the truly spectacular individual is born.

The more you integrate the inner diversity, that we all have, the more you operate with integrity in the outer world. – Anne Sophia Dutoit

If achieved, the integration of your right and left brain can help you in a number of ways.

1. It eliminates “writer’s block”.
2. It unconsciously deepens how your audience responds
to your work by providing the “math” for the same integration within them.
3. It will help put your ego in check and your watchful perspective on duty.
4. You will be much less likely to suffer the ubiquitous plagued heartache of the artists’ life.
5. You won’t miss deadlines.
6. You will attract a more fair-minded clientele.
7. Your friends will be so happy that there is something to talk about other than YOU!

However, science’s understanding of human brain function is not as primitive as what’s in the pop lexicon of the “right brain/left brain” model.

Am I off-topic and meandering? I don’t think so!

“What good fortune for those in power that people do not think.” – Adolf Hitler, as quoted by Joachim Fest.

Freedom of the mind comes with much responsibility, which is one component making the institutionalization of humanity surprisingly easy to accomplish. The “just do as I say” model of parenting should bear much responsibility. The consequences of authoritative parenting teaching us to blindly “follow” is eloquently investigated in Alice Miller’s book, Thou Shalt Not Be Aware. Unfortunately, this teaching model is rearticulated with a numbing lack of insight within some of our educational institutions. If this has happened to you, then you probably won’t know it. However, if the world looks a little black and white or you feel like you have all the answers or every driver on the freeway is in your way, then I suggest reading Alice Miller’s book while you still have a few friends.

Here’s hoping that we as artists use our fullest integrated capacity for focusing more on the size of our ideas than the size of our audience.

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by Gary Powell

Be self-determined.
Make your own path.
The cream rises to the top.
Nobody can do it like you can.
Everybody gets their turn at bat.
Follow your heart.
You deserve a gold star.

We’ve all heard these pearls of wisdom and found ourselves naively depending on them throughout our varied careers. Your personal pursuit of happiness is at stake with these words and, disheartening as it may feel, it might be time to move from colloquialisms to maxims. In legal terms, this would be explained as moving from hearsay to evidence.

Maxims are sayings which by definition are widely accepted for their own merit. Meritorious success is born of education, experience, trial and error, reason and risk. These things are accessible to nearly everyone. Colloquial success is born of accidents of either fortune or genetics. If you wish to trust your life’s work to fortune, then stop reading now. If you are trusting your life’s work to a genetic advantage, then you have already been born into aristocracy and can also quit reading now. All others, please continue.

Education and self-reflection are often shunned by artists. Please realize that education will eventually become self-directed, regardless of the academic art degrees you hold. Self-reflection is not about “what’s wrong with the world”, but more about “what in the world is wrong with me?” But let’s be good to ourselves and eliminate the judgment and just ask, “what in the world happened to me?”. A career in the arts has special considerations, some psychological, some in business organization, some in education and some in self-reflection. Understanding it all will help you in your pursuit of happiness. So, let’s try to understand what hurts us and what helps us as we begin to “go public” with our art.

Everybody gets their turn at bat.
(As long as they know how to build a bat and have hired a pitcher.)

By way of elucidation, IMAGINE there are only two types of artists across all artistic disciplines. Both types consider themselves artists. For now, let’s call them Adagio and Grandioso artists. The Adagio artist creates for their own edification and understanding, finding meaning through their expression of either the wonder or disenchantment of life or both. This artist’s validity comes from within and are more likely to be painters, writers, composers, sculptors and printmakers. The Adagio artist can be found working in their studios.

The Grandioso artist creates in order to be “seen”. Their art is a vehicle within the complex framework of their own ambitious goals both defined and fueled by their emotional needs. This artist might be either more or less talented than the Adagio artist. However, this artist’s validity comes from outside themselves and are more likely to be singers, dancers, comedians, and performers. Psychologists might describe these artists as being “other identified”. The Grandioso artist can be found working in television, theatres and movies.

en·tre·pre·neur, n. [ahn-truh-pruh-nur-ship] Etymology: French, from Old French, from entreprendre to undertake: one who organizes, manages, and assumes the risks of a business or enterprise

It’s possible that neither type of artist thinks of themselves as entrepreneurs. Some do and balance art and business beautifully. Some turn an early inspirational expression into a business so well that the inspiration eventually morphs into an assembly line. Some artists go straight to work on the assembly line and like, Norma Rae, finally rebel with a resolved “NO MORE”, move to Marfa, Texas and reinvent themselves living lives without focus groups or reviewers…. finally determining their own validity.

Most “Grandioso” or performing artists have been tap dancing for the family since they were born. This encouragement taught us to look outside ourselves for applause and adoring faces. Healthy children will all go through a developmentally appropriate “narcissistic period”. This developmental phase is important and will serve us well throughout our lives. However, many become stuck in their narcissism which will begin to erode their healthy adult relationships later in life. Narcissism, often misinterpreted as self-love, is described by the story of Narcissus, when he sees and falls in love with his own reflection in the river. However, behind the outward self-love that narcissists present to the world is a darker and malignant self-hatred which is kept under constant surveillance so as NOT to become visible to the world.

Enlisted into service are press agents, designers, managers, ghost writers, dentists and cosmetic surgeons, all becoming the army to fight back the damaged hidden self within. Maybe it’s time to watch the “mirror, mirror on the wall, whose the fairest of them all?” scene from Snow White again with this perspective. How about “The Portrait of Dorian Gray”? Only if we could all keep our hidden portraits in the attic or in modern-day terms, hire enough handlers to keep the ugly contained. Think of this the next time you see a celebrity with a posse.

Entrepreneurs think of themselves and their mission or products in context of nearly everything. They build relationships with every kind of person and service required to bring their newest hair dryer, radial tire or ART to market. The monumental effort of bringing a new product to market is seldom mentioned in our popular culture. As a culture stuck in our own adolescence, we simply want the new stuff.

People rant about gasoline prices with no knowledge of what it takes to suck oil out of solid rock five miles deep while balancing on an off-shore platform. Then there’s that small matter for transporting crude oil some 5,000 miles to a rather expensive factory (which is often larger than the Texas town it’s in) and refining it into gasoline. Let’s see now, how can we deliver this gasoline across the country and to neighborhoods to better serve our customers and increase our profits?

As artists, we have much to learn about the mechanics of business which, regardless of size, always include investment, risk and thousands of absolutely brilliant humans. If you think that your art is what it’s all about, then there is one of those large pieces of reality headed your way like that extinction-event asteroid 65 million years ago.

EDUCATION either functions as an instrument which is used to facilitate integration of the younger generation into the logic of the present system and bring about conformity or… it becomes the practice of freedom, the means by which men and women deal critically and creatively with reality and discover how to participate in the transformation of their world.
– Paulo Freire

Regardless of whether you find resonance with the Adagio artist or the Grandioso artist or both, I’m suggesting that you gently, without harsh judgment on yourself, start seeing your art and yourself within the context of everything, particularly the very typical yet monumental effort of the entrepreneur. You don’t have to join any group, give up your individualism, pray, march or vote like anyone else. I am suggesting that we artists make a very conscious move to study entrepreneurship and apply that knowledge to our artistic endeavors. And, even more important, the effort might just help purge any of our residual and unconscious narcissism. It is certain to benefit us personally, professionally and artistically to begin envisioning ourselves within the larger context of the human experience.

For further study on the topics presented, please consider these links: