Robin Huston


The Voice, the Ear, the Looks

By Gary Powell

How does one know when meeting a person for the first time that they will become a career-long musical colleague and life-long friend? Freshman Robin Huston showed up for an audition at the University of Texas for Ensemble 109 the very first semester I started directing the vocal group in January, 1985. Singer Robin Huston

Robin was eighteen years old, bright, a bit sassy, mostly naive and sang with a huge belting voice. In fact, the belt was so loud that I had to avert my ears in order to avoid my own inevitable hearing damage! Robin was the only singer who won this audition as a freshman. She soon became the most effective solo voice to belt out “Together We Are Texas”, a raucous theme song I had written for the group’s mostly Texas-born audiences. She flourished in the following four years of solid ear training, vocal experimentation, learning group skills all the while performing and improving beyond measure. The end product; a sweetness of vocal tone with a rock solid ear for hearing parts and a best friend for me.

I always hold Robin up as my example in countering the argument of choir directors or vocal producers who think all singers must be able to read music. If you dictate a difficult inside vocal line to Robin one time, she’ll hold on to it forever no matter what happens in the adjacent vocal parts. Here’s the cool thing: Change one note of her part in that same passage and now she’ll remember that until the same time next year. Change it again? She says, “Okay, I got it.” This is why Robin has worked with me across all vocal genres in recording sessions since 1985.

After completing her bachelor’s degree in advertising at U.T., Robin soon became the darling of the Austin musical theatre scene performing in many shows at Zachary Scott Theatre Center and many other Austin theatres.

Robin now lives in Norman, Oklahoma with her husband Tom Orr and two children Henry and Harper. Upon moving to Oklahoma and before the birth of her daughter Harper, Robin served as Vice-President of Programs at the Oklahoma Arts Institute. Husband Tom Orr, who holds the James Garner Chair as the Director of the University of Oklahoma’s School of Drama also has performance credits in my studio on Walt Disney Records’ hip-hop record “Party Beats” on the Gary Powell song “Genetic Experiment”.

These Robin Huston performances below can be found on various Walt Disney Records recordings and other recordings listed below. Please note that I do not sell these recordings. For more information please go directly to Walt Disney Records or follow the links below for specific titles for Shadow Play Records and other record companies.

Various Solo Performances for Walt Disney Records

The Right Move for Me, A Gift for You, Dear Santa, Hey Santa, Minnie Had a Little Lamb, God Help the Outcasts, Candle on the Water, I Just Wanna Fly, Santa Please Take Me Flying, Bare Necessities, I Want to Be Like You (Mowgli), Up On the Housetop, Mary Had a Little Lamb, Hide and Seek

Solo Performances from Various “Winnie the Pooh” Products (Walt Disney Records)

The Alphabet Day, Pooh’s Colorful Present, Number Hunt

Solo Performances from Various “Little Mermaid” Products (Walt Disney Records)

Part of Your World, Poor Unfortunate Souls

Choral Performances for Various “Lion King” Products (Walt Disney Records)

Warthog Rhapsody

Various Choral or Group Work for (Walt Disney Records)

Baby Mine, I Hear Thunder, The Claw (Toy Story Sing Along), Oh Dear, What Can the Matter Be?, Mickey Mouse Club March, Battle Hymn of the Republic (Bluegrass Version), Wanna Grow Up, Morning’s Here, Humpty Dumpty, Genetic Experiment, And I Eat Pigs for Breakfast, The Parade, Pat-a-Cake, Twistin’ the Night Away, Let’s All Roar Tonight

Joe Scruggs from “Not Afraid of the Dark”

Popcorn

Joe Scruggs from “Bahamas Pajamas”

Star Sun, Busy Box Band, Sweet Low, Saint Mountain (Bahamas Pajamas), Peas Porridge Hot, Whole Bed, Almost Home

Joe Scruggs from “Ants”

The Parade, Not Fair, Can’t Rock the Baby, Come on Down, Night-Light

Joe Scruggs from “Merry Christmas – Joe Scruggs”

Up on the Housetop, Frosty the Snowman, Jingle Bell Rock, Santa Claus is Coming to Town, Jingle Bells, Rudolph the Red Nosed Reindeer

Imaginaria (Miramar Productions)

Styro the Dog, Shapes and Sizes

Various Performance for Gary Powell

Gary Powell Presents… (“In the Studio” Video performance of “I Just Wanna Fly”), Battle Hymn of the Republic (Choral Version), Psalm 42 (Phillip Sandifer), The Good News Is (Hall Chiropractic Jingle), Hark the Herald Angels Sing (University of Texas, Ensemble 109)

Kurt Van Sickle

“Blessed Father”, “Father, Father”, “Mother Devine”

The Great 9-1-1 Adventure (9-1-1 for Kids)

It’s Time to Go Play

Make the Life You Want

by Gary Powell

We commonly understand that illegal drug use, alcohol abuse and driving on the wrong side of the road are bad for humans. However, there is no more efficient way to forestall a perfectly talented artistic career than to be unequally yoked in either a professional or personal relationship. oxen photoBeing unequally yoked is a Biblical reference, but nonetheless, I like the descriptive metaphor of two oxen of different strengths joined by a big block of wood ostensibly joining forces to pull a creative load of art. Just make sure that the oxen coupled to you is an equal in all regards: four legs, two eyes, nice haunches, health insurance and an IRA account. If that ox on your immediate right is half your weight in these areas, then it’s not only your monetary success that will soon be forestalled. You may find that the passion for what was previously your “inspired work” will quickly minify to “busy work”. The up side is that you may soon enjoy a new and flourishing resentment of nearly everything in life, always entertaining chatter at parties.

Make the life you want to live rather than living a life which only solves the problems of others unless it is your conscious choice to do so.

Having partners that either restrain us or push us where we don’t want to go will put a check in the box of your life’s spreadsheet in the column labeled “Failure Due to Bad Decisions”! This spreadsheet field’s formula is a simple “yes” or “no”. Too many metaphors? Probably not. Our culture, family, jobs and government are all willing to burden us with the yoke of hidden responsibilities until we finally rebel and simply say ‘No more’! – Gary Powell

Here are a few signs that your life may soon have a check in the box labeled “Failure Due to Bad Decisions”:

  1. Look for your inability to make a decision without consulting at least one powerful person or your posse.
  2. Look to see if you have a posse. Unless yours is consciously and legally locked to your mission, then the members of your posse will each absolutely serve their own purposes. Sadly, at first your posse won’t feel like self-serving sycophants. They will feel like friends. There is nothing better than trusted friends, however, the real ones will have their own lives and goals and won’t have the time or the interest to suck off yours. This is why so many arts programs are best organized under the Internal Revenue 501(c)(3) Tax Code.
  3. Look for writer’s block, depression or rage in yourself even if you are able to hide it from others.
  4. Look for friends who are always tempting you to quit working for the night and go out on the town.
  5. Look at your unsecured credit card debt.
  6. Look for a pattern of buyer’s remorse.
  7. Look at the size of your “regrets” file versus the size of your “aspirations” file.
  8. Look at your health.
  9. Look to see how many times a day you say, “If I had only…”
  10. Look to see how many times a day you say, “I feel great for no reason” or “I have hope in my heart”. If this never happens, you may have found the first destination pin in the map you should be using to retrace your previous bad decisions that are affecting you now. Our repetitive bad decisions can indeed be the map for learning about ourselves. Figure this out as early as possible, so you can quit making the wrong stops with the wrong people at the wrong time.

If all this is too confusing, then do this: Make the life you most want to live rather than either living the life or solving the problems of others, unless it is your conscious choice to do so. Your creative life is not any person’s or institution’s responsibility but your own.

Photo Used Under the Fair Use Policy of the United States Department of Agriculture.
All Content of Gary Powell’s Site is Licensed Under a
Creative Commons Attribution-NonCommercial-NoDerivs 2.5 License

.

The Many Talents of Alicia Jones

by Gary Powell

My singing relationship began with Alicia in 1990 in the last two years of my teaching appointment in the Department of Music at the University of Texas at Austin. Alicia Jones Austin Singer

Alicia remembers auditioning for Ensemble 109, a recording studio vocal training and performing ensemble, and not making it the first year. Persevering, she was accepted the next semester after her second effort. It’s hard to imagine my missing this young woman’s talent the first time I heard her. Alicia graduated U.T. in 1993 with a Bachelor of Science in Electrical Engineering. She earned a Master’s Degree in 2000 in Software Engineering from National Technological University.

Theatrically, Alicia has performed at Austin’s famed Zachary Scott Theatre in Beehive in 1994, The Gospel at Colonus in 1996, and Dreamgirls in 1997. Alicia has sung with many musical performing acts including both Austin’s R&B greats, Marcia Ball and Rayon Foster. Alicia has also been seen on Austin City Limits performing with Miss Lavelle White. Alicia then sang the background vocals for musical introduction of the movie, “My Best Friend’s Wedding”.

And what does Alicia Jones do with all that education when she is not in the studio? Well, she has now worked for Motorola/Freescale for eleven years with four years preceding that at AMD. She is currently a Senior Software Engineer who both designs and codes software used at Freescale to help other engineers verify that the PowerPC microprocessor chips we all use actually work.

So, what can the young singer learn from Alicia Jones in getting work in recording studios? Follow Alicia’s lead on this: Be prepared before a session, read music well, arrive early for sessions, be able to take musical directions, be adept in many vocal styles, sing dead solid in tune, work in concert with other singers, try to make the vocal producer’s life easier and finally, be real. This is the short list of why Alicia Jones is a “first-call” session singer in my studio. Add in raising two young boys along with a wonderful husband and father, Jerry Jones, and you have here a very full and complete life. You go, girl! I’m proud to have you as a major part of my professional and studio life!

These Alicia Jones performances below can be found on various Walt Disney Records recordings and the other recordings listed below. Please note that I do not sell these recordings. For more information please go directly to Walt Disney Records or follow the links below for specific titles.

Lion King Performances

I Just Can’t Wait to Be King, Can You Feel the Love Tonight?, Warthog Rhapsody

Cheetah Girls 2 Karaoke

The Party’s Just Begun, Strut, Do Your Own Thing, Step Up, It’s Over, Cherish the Moment

Disnosaur

Make Some Noise

Chicken Little Karaoke

Shake Your Tail Feather, Ain’t No Mountain High Enough, I Will Survive

Various Walt Disney Records Choral or Group Work

Pin the Tail on the Donkey, Pooh’s Colorful Present, Number Hunt, The Alphabet Day, I Won’t Say (I’m in Love), Kiss the Girl, The Twist, Rhinos, Rhinos Can’t Be Beat, “Little” Medley, London Bridge, Happy Birthday, Bunny Hop, Pulling Santa’s Sleigh

“Not Afraid of the Dark” by Joe Scruggs

I Can Dance, Rainbow Colored Jump Rope, Anteater, Fireflies

Emilio Delgado from Sesame Street

Dance, Rhyming Country

Gary Powell, Arranger/Producer

Battle Hymn of the Republic

Rich Harney, Composer

Jesus Lamb of God

Kurt Van Sickle

“Blessed Father”, “Father, Father”, “Mother Devine”

by Gary Powell

My singing relationship began with Alicia in 1990 in the last two years of my teaching appointment in the Department of Music at the University of Texas at Austin. Alicia Jones Austin Singer

Alicia remembers auditioning for Ensemble 109, a recording studio vocal training and performing ensemble, and not making it the first year. Persevering, she was accepted the next semester after her second effort. It’s hard to imagine my missing this young woman’s talent the first time I heard her. Alicia graduated U.T. in 1993 with a Bachelor of Science in Electrical Engineering. She earned a Master’s Degree in 2000 in Software Engineering from National Technological University.

Theatrically, Alicia has performed at Austin’s famed Zachary Scott Theatre in Beehive in 1994, The Gospel at Colonus in 1996, and Dreamgirls in 1997. Alicia has sung with many musical performing acts including both Austin’s R&B greats, Marcia Ball and Rayon Foster. Alicia has also been seen on Austin City Limits performing with Miss Lavelle White. Alicia then sang the background vocals for musical introduction of the movie, “My Best Friend’s Wedding”.

And what does Alicia Jones do with all that education when she is not in the studio? Well, she has now worked for Motorola/Freescale for eleven years with four years preceding that at AMD. She is currently a Senior Software Engineer who both designs and codes software used at Freescale to help other engineers verify that the PowerPC microprocessor chips we all use actually work.

So, what can the young singer learn from Alicia Jones in getting work in recording studios? Follow Alicia’s lead on this: Be prepared before a session, read music well, arrive early for sessions, be able to take musical directions, be adept in many vocal styles, sing dead solid in tune, work in concert with other singers, try to make the vocal producer’s life easier and finally, be real. This is the short list of why Alicia Jones is a “first-call” session singer in my studio. Add in raising two young boys along with a wonderful husband and father, Jerry Jones, and you have here a very full and complete life. You go, girl! I’m proud to have you as a major part of my professional and studio life!

These Alicia Jones performances below can be found on various Walt Disney Records recordings and the other recordings listed below. Please note that I do not sell these recordings. For more information please go directly to Walt Disney Records or follow the links below for specific titles.

Lion King Performances

I Just Can’t Wait to Be King, Can You Feel the Love Tonight?, Warthog Rhapsody

Cheetah Girls 2 Karaoke

The Party’s Just Begun, Strut, Do Your Own Thing, Step Up, It’s Over, Cherish the Moment

Disnosaur

Make Some Noise

Chicken Little Karaoke

Shake Your Tail Feather, Ain’t No Mountain High Enough, I Will Survive

Various Walt Disney Records Choral or Group Work

Pin the Tail on the Donkey, Pooh’s Colorful Present, Number Hunt, The Alphabet Day, I Won’t Say (I’m in Love), Kiss the Girl, The Twist, Rhinos, Rhinos Can’t Be Beat, “Little” Medley, London Bridge, Happy Birthday, Bunny Hop, Pulling Santa’s Sleigh

“Not Afraid of the Dark” by Joe Scruggs

I Can Dance, Rainbow Colored Jump Rope, Anteater, Fireflies

Emilio Delgado from Sesame Street

Dance, Rhyming Country

Gary Powell, Arranger/Producer

Battle Hymn of the Republic

Rich Harney, Composer

Jesus Lamb of God

Kurt Van Sickle

“Blessed Father”, “Father, Father”, “Mother Devine”

“Go, Go Bananas” Jesmax Music, BMI

The Jungle is Jumpin’ CD Art

 
Jesmax Music, BMI, owned by Austin composer Gary Powell, is pleased to have placed the song Go, Go Bananas by Texas songwriters, Chris Martin and Gary Powell on the Walt Disney Records album The Jungle is Jumpin’. The album will be released October 2, 2007 as a Wal-Mart exclusive product celebrating The Jungle Book’s 40th Anniversary Edition.

Originally written in 1997 for a George of the Jungle project which was never realized, Powell easily adapted the “Go, Go Bananas” lyric for the new and obviously more jammin’ and jumpin’ jungle.

The song was produced in Austin, Texas by Gary Powell and all the vocals were sung by longtime Walt Disney World performer David Wise who luckily for us is now residing and singing in Austin.

The Jungle is Jumpin’ will also include three other Chris Martin and Gary Powell songs, “He’s a Lucky Snake”, “Queen of the Jungle”, and “Dino Beat” all published by Wonderland Music Company, Inc. (BMI).

Album Executive Producer: Ted Kryczko
Mastering Engineer: Jeff Sheridan, Soundworks, NoHo, California
Song Producer: Gary Powell for The Bare Necessities, I Wan’na Be Like You, He’s a Lucky, Lucky Snake, Queen of the Jungle, Never Smile at a Crocodile, Baloo, Go Go Bananas and Dino Beat

(Please note that I sell no Disney products on my site.
This CD will be available exclusively at Wal-Mart stores across the country.)

The Many Disguises of Incompetence

Emperor's New Clothes PosterIncompetence hides under the many rocks of false assumptions. This is certainly not information specific to the entertainment industry. It is the pandemic reality of our very human nature and is very possibly written in our DNA.

We are all familiar with authors employing ghostwriters. We are less aware of when self-proclaimed film composers dungeon-up real ghost-composers to realize their ideas. True composers rightfully call these pretend composers “hummers”. Can you hum a tune? Congratulations, you are now a composer. According to Presidential ghostwriter James C. Humes, we’ve had only five Presidents of the United States who penned their own speeches. The problem with all this is that anybody can grow up thinking they can be President and anybody is exactly who we get. This system begs the question: to whose voice are we actually listening and whose music are we actually hearing?

What we should most want is to become disillusioned! – Jonathan Hartzell

Jonathan Hartzell is a brilliant wordsmith and personal friend. He asks pointedly, “why should anyone have the goal of becoming illusional?” Therefore, disillusionment should be our goal. The truth is a good thing, but largely not taught either because of purposeful deception or tenured ignorance.

ILLUSION #1
People in authority have earned their position through education, hard work, research, investment, risk, intelligence and talent.
They possess some special quality which you don’t.
ILLUSION #2
Bullies never win.
America promotes a level playing field.
People and organizations are not maliciously deceptive.
No one cuts in line.

Have you ever wondered why we commit incredible time, money and effort in earning a college education, only to find that after our very first job interview your college transcript is never requested again? Yes, at some point our experience does far outweigh our education. However, there is a less obvious and seldom taught component to success.

We mistake anger for genius. We mistake celebrity for talent and talent for intelligence. We mistake position and title for power. We mistakenly confuse conscription with honor and self-sacrifice.

First, the emperor may possibly be as naked as you are in that recurring school nightmare on test day! Second, he has obtained his high post by no known means. So, who is your emperor? The answer: the person who holds the keys to your kingdom however you may define it. Let’s assume you find him and he will actually entertain your company fully clothed. Depending on where you are in life, you may or may not be able to perceive this person’s competence. If not, then I say hope for the best. However, there are certain signs, if read correctly, that you may be in the dangerous presence of real Peter-Principle incompetence or the very personable and charming sycophant; the common “suck-up”.

Seek out relationships which honor and support your contribution.

Why dangerous? The biggest goal of incompetence is to NOT be found out! Revealing the impostor’s disguise, even with a knowing glance, may cause you to loose your opportunity or maybe even your job especially if you continue telegraphing this observation. Ask Galileo how it turned out for him to simply reveal the truth. Flip side; you keep quiet and consequently loose your own voice. Obviously, there is no good choice here. Move on quickly yet prudently!

How can you learn to detect incompetent superiors? Judgment, maturity and experience will serve you best here. Be quick to know and slow to judge! Your experience will not be my experience and your judgement not my judgement. We are all wrongly judged from time to time and I will not load you up with ammunition for some emotionally unconscious ambush. I will say that you should seek out relationships which honor and support your contribution. If they don’t, then you may be in the presence of a person or organization which will neither honor or support you as an individual. This of course is dependent on your bringing something to the table besides just yourself and your good looks.

Please vow to never use your power to disguise your own incompetence by hijacking credit you don’t deserve.

Remember, we all showed up on this Earth completely and totally incompetent, so again, be quick to know and slow to judge. Next, learn and improve while building your alliances with individuals and organizations which honor your contribution. Live long and prosper.

Gary Powell, Composer

To Learn More, Please Consider These Reference Links
Library of Congress: History’s Wordsmiths
The Trial of Galileo Galilei


All Content of Gary Powell’s Site is Licensed Under a
Creative Commons Attribution-NonCommercial-NoDerivs 2.5 License

.

Emperor's New Clothes PosterIncompetence hides under the many rocks of false assumptions. This is certainly not information specific to the entertainment industry. It is the pandemic reality of our very human nature and is very possibly written in our DNA.

We are all familiar with authors employing ghostwriters. We are less aware of when self-proclaimed film composers dungeon-up real ghost-composers to realize their ideas. True composers rightfully call these pretend composers “hummers”. Can you hum a tune? Congratulations, you are now a composer. According to Presidential ghostwriter James C. Humes, we’ve had only five Presidents of the United States who penned their own speeches. The problem with all this is that anybody can grow up thinking they can be President and anybody is exactly who we get. This system begs the question: to whose voice are we actually listening and whose music are we actually hearing?

What we should most want is to become disillusioned! – Jonathan Hartzell

Jonathan Hartzell is a brilliant wordsmith and personal friend. He asks pointedly, “why should anyone have the goal of becoming illusional?” Therefore, disillusionment should be our goal. The truth is a good thing, but largely not taught either because of purposeful deception or tenured ignorance.

ILLUSION #1
People in authority have earned their position through education, hard work, research, investment, risk, intelligence and talent.
They possess some special quality which you don’t.
ILLUSION #2
Bullies never win.
America promotes a level playing field.
People and organizations are not maliciously deceptive.
No one cuts in line.

Have you ever wondered why we commit incredible time, money and effort in earning a college education, only to find that after our very first job interview your college transcript is never requested again? Yes, at some point our experience does far outweigh our education. However, there is a less obvious and seldom taught component to success.

We mistake anger for genius. We mistake celebrity for talent and talent for intelligence. We mistake position and title for power. We mistakenly confuse conscription with honor and self-sacrifice.

First, the emperor may possibly be as naked as you are in that recurring school nightmare on test day! Second, he has obtained his high post by no known means. So, who is your emperor? The answer: the person who holds the keys to your kingdom however you may define it. Let’s assume you find him and he will actually entertain your company fully clothed. Depending on where you are in life, you may or may not be able to perceive this person’s competence. If not, then I say hope for the best. However, there are certain signs, if read correctly, that you may be in the dangerous presence of real Peter-Principle incompetence or the very personable and charming sycophant; the common “suck-up”.

Seek out relationships which honor and support your contribution.

Why dangerous? The biggest goal of incompetence is to NOT be found out! Revealing the impostor’s disguise, even with a knowing glance, may cause you to loose your opportunity or maybe even your job especially if you continue telegraphing this observation. Ask Galileo how it turned out for him to simply reveal the truth. Flip side; you keep quiet and consequently loose your own voice. Obviously, there is no good choice here. Move on quickly yet prudently!

How can you learn to detect incompetent superiors? Judgment, maturity and experience will serve you best here. Be quick to know and slow to judge! Your experience will not be my experience and your judgement not my judgement. We are all wrongly judged from time to time and I will not load you up with ammunition for some emotionally unconscious ambush. I will say that you should seek out relationships which honor and support your contribution. If they don’t, then you may be in the presence of a person or organization which will neither honor or support you as an individual. This of course is dependent on your bringing something to the table besides just yourself and your good looks.

Please vow to never use your power to disguise your own incompetence by hijacking credit you don’t deserve.

Remember, we all showed up on this Earth completely and totally incompetent, so again, be quick to know and slow to judge. Next, learn and improve while building your alliances with individuals and organizations which honor your contribution. Live long and prosper.

Gary Powell, Composer

To Learn More, Please Consider These Reference Links
Library of Congress: History’s Wordsmiths
The Trial of Galileo Galilei


All Content of Gary Powell’s Site is Licensed Under a
Creative Commons Attribution-NonCommercial-NoDerivs 2.5 License

.

World Premier Recording of “Baloo”

by Gary Powell, Musical Arranger/Producer

The World Premier song “Baloo” is being released on Walt Disney Records this October 2, a mere 44 years after it was written. This very simple piano/vocal score was dated September 19, 1963 with the writing credits, “Lyrics by Bill Peat and Music by George Burns”. This song did not make the original cut for the “Jungle Book” movie. Paul Baker, Mike Mordecai, Gary SlechtaI’ll leave the full story about how and why to the Disney historians. As a musical arranger and producer, it was satisfying to bring this song to life in my studio.

Disney executive producer Ted Kryczko suggested a Louis Prima type of feel to match our earlier recording of “The Bare Necessities”. I accomplished this by first playing the piano part using Larry Seyer’s GigaPiano which comes packaged with GigaStudio3. Next I played in the tuba part with a sample from the SAM Solo Sessions Orchestral Brass Library and lastly added drums from Larry Seyer’s Acoustic Drum Library. Then the very same Larry Seyer of Many Talents played the shuffle banjo part on a vintage 1972 5-String Alvarez Silver Princess loaned to us by Austin psychotherapist Amy Person. You don’t really need that information, but it does make perfect sense for musicians who never see daylight that we have our own personal therapist on the property.

After playing the banjo part Larry Seyer says, “sounds like this piece needs a trumpet, clarinet and trombone.” Yep! Within twenty minutes I had all three players (pictured left) booked and scheduled. Saxman Paul Baker drove across Austin with his licorice stick immediately. The black-gloved trombone man, Mike Mordecai, was literally driving in front of my parents old house when I called. I don’t believe in synchronicity except when this kind of thing happens. Austin’s favorite improvisational trumpet man, Gary Slechta, followed Paul Baker and Mike Mordecai’s lead performing with plunger in hand the next day as if these guys played together all the time, which they do!

I broke with traditional recording techniques for recording these horn parts. Each player’s improvised part was recorded with a stereo pair of David Royer’s Mojave MA-200 cardiod tube microphones. For the clarinet I put one Mojave about a foot under the bell for the spittal sound and the second Mojave about a foot over the middle of the clarinet for the warmth of Paul’s playing. I followed suit with the same stereo miking technique for Gary Slechta’s trumpet. For Mike Mordecai’s trombone, I thought it might be fun to capture a left to right stereo image when he would naturally drop the bell of his trombone on a long slide out. Therefore, I miked the trombone with the pair of Mojaves directly on top of each other about four feet apart. This trombone stereo pair was panned hard left and right, which gave each the horn some natural imaging movement that I just loved in the mix. The clarinet bell microphone, which is more percussive, was panned hard left and the more mellow mid-instrument microphone was panned hard right. I reversed this panning choice for the trumpet to balance the left/right brightness in the mix.

A Disney favorite singer, Craig Toungate, who covered the new recording of Baloo’s vocal on “Bare Necessities” also came to put the icing on the cake.

by Gary Powell, Musical Arranger/Producer

The World Premier song “Baloo” is being released on Walt Disney Records this October 2, a mere 44 years after it was written. This very simple piano/vocal score was dated September 19, 1963 with the writing credits, “Lyrics by Bill Peat and Music by George Burns”. This song did not make the original cut for the “Jungle Book” movie. Paul Baker, Mike Mordecai, Gary SlechtaI’ll leave the full story about how and why to the Disney historians. As a musical arranger and producer, it was satisfying to bring this song to life in my studio.

Disney executive producer Ted Kryczko suggested a Louis Prima type of feel to match our earlier recording of “The Bare Necessities”. I accomplished this by first playing the piano part using Larry Seyer’s GigaPiano which comes packaged with GigaStudio3. Next I played in the tuba part with a sample from the SAM Solo Sessions Orchestral Brass Library and lastly added drums from Larry Seyer’s Acoustic Drum Library. Then the very same Larry Seyer of Many Talents played the shuffle banjo part on a vintage 1972 5-String Alvarez Silver Princess loaned to us by Austin psychotherapist Amy Person. You don’t really need that information, but it does make perfect sense for musicians who never see daylight that we have our own personal therapist on the property.

After playing the banjo part Larry Seyer says, “sounds like this piece needs a trumpet, clarinet and trombone.” Yep! Within twenty minutes I had all three players (pictured left) booked and scheduled. Saxman Paul Baker drove across Austin with his licorice stick immediately. The black-gloved trombone man, Mike Mordecai, was literally driving in front of my parents old house when I called. I don’t believe in synchronicity except when this kind of thing happens. Austin’s favorite improvisational trumpet man, Gary Slechta, followed Paul Baker and Mike Mordecai’s lead performing with plunger in hand the next day as if these guys played together all the time, which they do!

I broke with traditional recording techniques for recording these horn parts. Each player’s improvised part was recorded with a stereo pair of David Royer’s Mojave MA-200 cardiod tube microphones. For the clarinet I put one Mojave about a foot under the bell for the spittal sound and the second Mojave about a foot over the middle of the clarinet for the warmth of Paul’s playing. I followed suit with the same stereo miking technique for Gary Slechta’s trumpet. For Mike Mordecai’s trombone, I thought it might be fun to capture a left to right stereo image when he would naturally drop the bell of his trombone on a long slide out. Therefore, I miked the trombone with the pair of Mojaves directly on top of each other about four feet apart. This trombone stereo pair was panned hard left and right, which gave each the horn some natural imaging movement that I just loved in the mix. The clarinet bell microphone, which is more percussive, was panned hard left and the more mellow mid-instrument microphone was panned hard right. I reversed this panning choice for the trumpet to balance the left/right brightness in the mix.

A Disney favorite singer, Craig Toungate, who covered the new recording of Baloo’s vocal on “Bare Necessities” also came to put the icing on the cake.