Welcome Giant Screen Cinema Association to Austin

Giant Screen Cinema Association Logo When searching for prescient, knowledgeable and soulful people, why not think big. Welcome to Austin the members of the Giant Screen Cinema Association and their 2011 convention hosted by the Bob Bullock Story of Texas Musueum.

The purpose of GSCA is to “advance the business of producing and presenting giant screen experiences.” My hope is that you will find our city fun, exciting and as serious about art as you are. Thank you Tammy Seldon, Executive Director and Kelly Germain, Communications Director for choosing Austin.

Big ambitions often start here in Austin and many times stay here. If you think we are only country music or rhythm and blues, think again. This is Texas, where nothing is small, which I know you can appreciate more than most!

Here are some suggestions for your stay.

  • To hear the best musicians in Austin, visit the Elephant Room. The Monday night Jazz Jam is a “pick-up” big band in your face. Great players offering their best reading and improvisational chops; hosted by Mike Mordecia, trombone session player and good guy.
  • Eat dinner at Fonda San Miguel. Not typical TexMex cuisine, but classy, beautiful with a killer Mango Margarita. Call for reservations though – it’s a big week in Austin; 512-459-4121.
  • Eat lunch or dinner at Jack Allen’s Kitchen about 15 minutes Southwest of downtown. It’s local-grown and ALL TEXAS. Get the Chicken-Fried Beef Ribs if your pacemaker’s battery is well-charged! This is five minutes from my studio, so if you are in the hood, call me and I’ll join you. (512-970-8888) Also, call for reservations lunch or dinner: 512-852-8558
  • This is my first year to attend a GSCA event. I look forward to meeting ya’ll. – Gary Powell

    Follow GSCA on Twitter and Facebook.

    JP Dunphy’s “Get Away” to Austin

    By Gary Powell

    In the fall of 2008 I was holding a workshop; “Pop Vocal Performance Techniques for the Theatrical Singer” at DeSales University in the beautiful Lehigh Valley of Pennsylvania. This was my second trip to DeSales invited by theatrical director, educator and longtime friend Dennis Razze who directed me in the role of Jesus in JC Superstar in 1980. We’ve been best buds ever since.

    The Broadway show as a genre has adopted many new vocal styles over the decades broadening the palette of sounds demanded of “Broadway” singers. Hence the workshop. My work in the recording studio since 1978 forced me to become fluent in every vocal style from barbershop quartets to hip-hop. These skills are what brought me to DeSales to present this vocal workshop.

    While at DeSales, professor Patrick Mulcahy invited me to speak to his theater class. After class a handsome student, with an appealing scruffiness and iPhone in hand, asked if I would listen to his songs. After some cajoling and deal-making by JP with a student in the audio booth of the theater’s black box, I listened about 30 seconds of JP Dunphy’s singing, whipped out my Bose headphones and suggested we retire to the lobby to hear more and for me to listen more critically. Obviously, this young singer had some game.

    JP’s songs were mostly covers, but often more appealing from a vocal standpoint than were the originals. I had a couple of hours to kill, so JP graciously adopted me and helped me remember what it was like to be in college. We drove about town in his tricked-out Cooper Mini, which he continues to modify himself; all the while both our iPods were trading-off songs and blaring out the windows. JP picked up the pledged chocolate chip cookies for his fellow student and “black box” audio tech and returning us to his dorm room/recording studio. JP’s songs were recorded in this very typical box-like college dorm room with bunk beds; not much audio gear, but loads of talent. Most of the time it’s the other way around.

    Ever since meeting JP I had wanted him to come to Austin and spend a week with me, but it took a couple of years for me to button up my previous contracts and to move my studio more toward talent development. We finally booked the travel plans and the recording sessions and our song “Get Away” is the first result. There will be many more offerings coming from JP Dunphy; some from me and some directly from him and others. My goal is to empower our most talented musicians and songwriters to take on the responsibilities of developing their music and performing careers themselves. In this, I am happy to me a mentor, sometimes producer and friend.

    My best wishes to you, JP, and for your success.

    You can follow JP Dunphy on both Facebook and Twitter.

    “JP Dunphy, Get Away”
    Now Available for Worldwide Download from These Stores:
    iTunes Worldwide button
    amazon mp3 button

    Austin Singer Leslie Powell – “Rain Check”

    Leslie Powell - Rain Check Album Cover
    Austin Producer Gary Powell has been searching Texas for outstanding performers across many genres of music since 1978 to cast singers in his productions. Meet Leslie Powell – no kinship to Gary and talented without the need of nepotism. Gary produced Leslie Powell on her first iTunes release, “Rain Check” written by both Gary Powell and Helen Darling. Leslie graduated from Westwood High School in Austin, Texas in 2010 and is studying theatrical arts at the University of Texas. Please support Leslie in hopes that we will hear more music from her in years to come.

    “Leslie Powell, Rain Check” Now Available for Worldwide Download from These Stores:
    iTunes Worlwide button
    amazon mp3 button

    Leslie Powell - Rain Check Album Cover
    Austin Producer Gary Powell has been searching Texas for outstanding performers across many genres of music since 1978 to cast singers in his productions. Meet Leslie Powell – no kinship to Gary and talented without the need of nepotism. Gary produced Leslie Powell on her first iTunes release, “Rain Check” written by both Gary Powell and Helen Darling. Leslie graduated from Westwood High School in Austin, Texas in 2010 and is studying theatrical arts at the University of Texas. Please support Leslie in hopes that we will hear more music from her in years to come.

    “Leslie Powell, Rain Check” Now Available for Worldwide Download from These Stores:
    iTunes Worlwide button
    amazon mp3 button

    Jeff Hellmer “Christmas Jazz” Released on Miramuse

    by Gary Powell

    Jeff Hellmer Christmas JazzJazz pianist and long-time friend Jeff Hellmer came to the studio in 2008 with the purpose of creating a solo piano recording of seldom-heard Christmas songs. Jeff was graciously helping me build a catalog of holiday music for Miramuse, which at the time was a business-to-business solution for helping companies learn how to best utilize music to enhance their brand or deepen their relationships with customers and even employees.

    I had researched ancient hymns and carols in the mid-1980’s for Ensemble 109 at the University of Texas and had written several vocal arrangements for several of these beautiful pieces of music; most of them lost to antiquity. Jeff freely improvised from these original hymn arrangements delivering a freshly re-harmonized interpretation of these ancient carols. Jeff also added a classic in “Oh Christmas Tree” and and one of my own tunes which I wrote as he waited, “Enchanted Star.”

    The gift Jeff Hellmer brings to us is a relationship to music that belies that relationship’s underlying complexity while deepening our own. Jeff’s musicianship invites us to engage his music in an atmosphere free of self-agrandizement. What’s that sound like? The sound is alive, safe and disarmingly intelligent! – Gary Powell

    Now this recording is available for download from iTunes, Amazon and Rhapsody for the rest of the world to hear. Thank you Jeff for making my Yamaha C7 sound better that I could ever do myself. Also, thank you to master piano technician, Brian Henselman, for keeping this piano in top shape.

    “Jeff Hellmer, Christmas Jazz” – Now Available for Worldwide Download from These Stores:
    iTunes Worlwide button
    amazon mp3 button

    by Gary Powell

    Jeff Hellmer Christmas JazzJazz pianist and long-time friend Jeff Hellmer came to the studio in 2008 with the purpose of creating a solo piano recording of seldom-heard Christmas songs. Jeff was graciously helping me build a catalog of holiday music for Miramuse, which at the time was a business-to-business solution for helping companies learn how to best utilize music to enhance their brand or deepen their relationships with customers and even employees.

    I had researched ancient hymns and carols in the mid-1980’s for Ensemble 109 at the University of Texas and had written several vocal arrangements for several of these beautiful pieces of music; most of them lost to antiquity. Jeff freely improvised from these original hymn arrangements delivering a freshly re-harmonized interpretation of these ancient carols. Jeff also added a classic in “Oh Christmas Tree” and and one of my own tunes which I wrote as he waited, “Enchanted Star.”

    The gift Jeff Hellmer brings to us is a relationship to music that belies that relationship’s underlying complexity while deepening our own. Jeff’s musicianship invites us to engage his music in an atmosphere free of self-agrandizement. What’s that sound like? The sound is alive, safe and disarmingly intelligent! – Gary Powell

    Now this recording is available for download from iTunes, Amazon and Rhapsody for the rest of the world to hear. Thank you Jeff for making my Yamaha C7 sound better that I could ever do myself. Also, thank you to master piano technician, Brian Henselman, for keeping this piano in top shape.

    “Jeff Hellmer, Christmas Jazz” – Now Available for Worldwide Download from These Stores:
    iTunes Worlwide button
    amazon mp3 button

    “Obscura la Noche” Signed to Jesmax Music, BMI

    Guity Movie Poster

    The Gary Powell song, “Obscura la Noche, Obscuro el Dia” (Dark the Night, Dark the Day) was signed by Powell’s Austin music publisher Jesmax Music, BMI for placement in the Gabriel Folse film, “Guilty.” The song is performed by Los Angeles singer, Sara Traina, who was referred to the song’s producer Gary Powell by Hank Olguin, who also translated the English lyric to Spanish.

     

     


    Obscura la Noche
    (Obscuro el Dia)

    Music and Lyrics by Gary Powell
    (Spanish Translation by Hank Olguin)

    Verses 1 & 2
    Cuando el día se va
    La noche vendra
    Y la obscuridad
    Invita la maldad

    La noche es dolor
    Matando el calor
    Y como el puñal
    Evoca todo mal

    Chorus 1
    Obscura la noche
    Obscuro el día
    Y en mis sueños busco
    los recuerdos de amor
    y otra realidad

    Verses 3 & 4
    A donde puedo ir
    Para sobrevivir
    Pues sin la luz del sol
    No vencere el crisol

    El tiempo borrará
    Y confundira
    No solo la verdad
    Tambien la claridad

    (CHORUS 2)

    Verse 5
    Y Cuando el día se va
    La noche vendra
    Y la obscuridad
    Invita a la maldad

    (CHORUS 3x’s with Tag)

    Copyright 2006 Jesmax Music, BMI

    All Content of Gary Powell’s Site is Licensed Under a
    Creative Commons Attribution-NonCommercial-NoDerivs 2.5 License

    .

    Guity Movie Poster

    The Gary Powell song, “Obscura la Noche, Obscuro el Dia” (Dark the Night, Dark the Day) was signed by Powell’s Austin music publisher Jesmax Music, BMI for placement in the Gabriel Folse film, “Guilty.” The song is performed by Los Angeles singer, Sara Traina, who was referred to the song’s producer Gary Powell by Hank Olguin, who also translated the English lyric to Spanish.

     

     


    Obscura la Noche
    (Obscuro el Dia)

    Music and Lyrics by Gary Powell
    (Spanish Translation by Hank Olguin)

    Verses 1 & 2
    Cuando el día se va
    La noche vendra
    Y la obscuridad
    Invita la maldad

    La noche es dolor
    Matando el calor
    Y como el puñal
    Evoca todo mal

    Chorus 1
    Obscura la noche
    Obscuro el día
    Y en mis sueños busco
    los recuerdos de amor
    y otra realidad

    Verses 3 & 4
    A donde puedo ir
    Para sobrevivir
    Pues sin la luz del sol
    No vencere el crisol

    El tiempo borrará
    Y confundira
    No solo la verdad
    Tambien la claridad

    (CHORUS 2)

    Verse 5
    Y Cuando el día se va
    La noche vendra
    Y la obscuridad
    Invita a la maldad

    (CHORUS 3x’s with Tag)

    Copyright 2006 Jesmax Music, BMI

    All Content of Gary Powell’s Site is Licensed Under a
    Creative Commons Attribution-NonCommercial-NoDerivs 2.5 License

    .

    “Philippe Bertaud: On the Music of Heitor Villa-Lobos”

    Philippe Bertaud: On the Music of Heitor Villa-LobosMiramuse is happy to finally announce the release of the instructional guitar DVD, “Philippe Bertaud: On the Music of Heitor Villa-Lobos.” After shooting this three-camera video production in Gary Powell’s studio, the release had been stalled in the ever-deepening abyss of securing the synchronization rights for the usage of Brazilian composer Heitor Villa-Lobos’ music. The process of securing the rights took thirty months of research, complete with many dead-ends, confusion, and the kind of bureaucratic communication of which only a snail could be proud.

    This is the first release for Miramuse to be distributed worldwide by Carl Fischer Music in New York. My special thanks to lifelong friend and musician, Rae Moses and to Chris Scialfa for his steadfast support, and of course, the charming Frenchman, Philippe Bertaud, for his undeniable patience.